Langston Hughes (1901–1967), a key figure of the Harlem Renaissance, forged lasting friendships with artists across different generations and disciplines. He connected creative professionals, championed their work, and helped build a vibrant network of Black creatives and intellectuals who both shaped and responded to the events of their era. His
Prolific Ghanian artist Amoako Boafo recently spoke with Dazed about his new exhibition, Singular Duality: Me Can Make We, currently on view at LA’s Roberts Projects until November 6th. Boafo’s spirited, large-scale paintings honor Blackness in all of its glory, and they are directly inspired by real people within his
